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	<title>The Semantic Puzzle&#187; Philosophy</title>
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		<title>Semantics and Universal Metaphors of Time</title>
		<link>http://blog.semantic-web.at/2008/07/08/semantics-and-universal-metaphors-of-time/</link>
		<comments>http://blog.semantic-web.at/2008/07/08/semantics-and-universal-metaphors-of-time/#comments</comments>
		<pubDate>Tue, 08 Jul 2008 09:21:17 +0000</pubDate>
		<dc:creator>Marion Fuglewicz-Bren</dc:creator>
				<category><![CDATA[Semantics & Philosophy]]></category>
		<category><![CDATA[Free University of Berlin]]></category>
		<category><![CDATA[Freie UniversitÃ¤t Berlin]]></category>
		<category><![CDATA[Philosophy]]></category>
		<category><![CDATA[Semantic Web]]></category>

		<guid isPermaLink="false">http://blog.semantic-web.at/?p=191</guid>
		<description><![CDATA[A conference at Freie UniversitÃ¤t Berlin in the end of June was dedicated to â€œNOW AND THEN. Temporal Experience in Film, Literature and Philosophyâ€ (Jetzt und dann. Zeiterfahrung in Film, Literatur und Philosophie) . This led me to thinking about &#8230; <a href="http://blog.semantic-web.at/2008/07/08/semantics-and-universal-metaphors-of-time/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p><img src="http://blog.semantic-web.at/wp-content/uploads/2008/07/jetztunddann.png" alt="Jetzt und dann" title="Jetzt und dann" align="right" height="170" width="240">A conference at <a href="http://www.fu-berlin.de">Freie UniversitÃ¤t Berlin</a>  in the end of June was dedicated to â€œNOW AND THEN. Temporal Experience in Film, Literature and Philosophyâ€ (<a href="http://www.ici-berlin.org/event/jun-27-28-tagung-jetzt-und-dann/">Jetzt und dann. Zeiterfahrung in Film, Literatur und Philosophie</a>) . This led me to thinking about time as such â€“ especially concerning media and maybe blogs like this one. </p>
<p>What is news? What impact does news have on people? What about time? One of the most enigmatic aspects of experience concerns time. Since pre-Socratic times, scholars have speculated about the nature of time, asking questions such as: What is time? Where does it come from? Where does it go? What is its structure?</p>
<blockquote><p>â€žIn many respects aesthetic experience is bound to time: the time of reading, the rhythm of a filmic montage, the temporal construction of a story. Without such temporal markers as these, aesthetic experience would neither be comprehensible nor would it even be possible. Poetological and philosophical reflection on the temporal basis of aesthetic experience give shape to&#8230; questions as&#8230; addressing the subjectivity of temporal experience through aesthetic form&#8230; how temporality and causality leave their mark in experience&#8230; how to treat â€žactualityâ€œ as an aesthetically significant topos of Modernityâ€œ and more. [<a href="http://www.ici-berlin.org/event/jun-27-28-tagung-jetzt-und-dann/">Source</a>]</p></blockquote>
<p>It was not astonishing to me that I found a book called <a href="http://www.amazon.co.uk/Semantics-Experience-Universal-Metaphors-Re-visions/dp/0801848113">Semantics and Experience: Universal Metaphors of Time</a> in English, Mandarin, Hindi and Sesotho (Parallax: Re-visions of Culture and Society). <span id="more-191"></span> The author <a href="http://www.dartmouth.edu/%7Eanthro/faculty/alverson.html%20">Hoyt Alverson</a> says that people everywhere experience time in fundamentally similar ways. Alverson begins by studying time expressions in collocations &#8211; stock phrases, idioms, aphorism, or other formulaic expressions.</p>
<blockquote><p>Are there universal as well as culturally particular experiences and expressions of &#8220;time&#8221;? In &#8220;Semantics and Experience&#8221;, Alverson questions the widely held anthropological assumption that temporal expression and experience represent little more than local cultural constructions. Drawing on extensive data from four widely divergent languages and cultures &#8211; English, Mandarin, Hindi and Sesotho &#8211; he argues that people everywhere experience time in fundamentally similar ways. Alverson examines the metaphors that often compose these collocations and discovers that five basic, universal categories of temporal expression and experience appear in all four languages &#8211; despite the independence of these languages from one another and despite the differing conditions of belief, knowledge and institutional structure among their respective cultures. While metaphorically constituted collocations do reflect culturally particular features of ideology, Alverson concludes, they clearly reflect universals of &#8220;time&#8221; as well. &#8220;Semantics and Experience&#8221; offers linguistic analysis of time expressions in four radically different languages and cultures. <strong>It reveals not only how such expressions vary as a function of ideological and cultural differences but also how, despite these differences, they reveal a basic similarity that points to their origin in a pan-human approach to the construction and cognition of space.</strong> [<a href="http://books.google.at/books?id=c_wpcv18qwUC&amp;pg=PA1146&amp;lpg=PA1146&amp;dq=%22Are+there+universal+as+well+as+culturally+particular+experiences%22&amp;source=web&amp;ots=vCou5pL9nV&amp;sig=Uuur3GDZFJGf4L5Ej-NBQR6RJk0&amp;hl=de&amp;sa=X&amp;oi=book_result&amp;resnum=4&amp;ct=result">Source</a>]</p></blockquote>
<p>The book which is currently out of print was written in 1994. Obsolete? Not at all, that I am confident of. The most significant metaphor of Semantics to my mind is understanding, comprehending, appreciating one another. This might sound wordly-innocent but IÂ´m sure itÂ´s the future of living together and should somehow relativize many concepts of ivory towers. There will always be differences, stakeholders, communities. This is essential and healthful. All the more it needs comprehension.<br />
So what about Semantic Web? Where is the context here? Hoping to hear that from all of you â€“ <strong>every now and then</strong> <img src='http://blog.semantic-web.at/wp-includes/images/smilies/icon_wink.gif' alt=';-)' class='wp-smiley' /><br />
Marion.
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		<title>Like a Jigsaw Puzzle: The Similarities between Man and Semantic Machines</title>
		<link>http://blog.semantic-web.at/2008/03/25/like-a-jigsaw-puzzle-the-similarities-between-man-and-semantic-machines/</link>
		<comments>http://blog.semantic-web.at/2008/03/25/like-a-jigsaw-puzzle-the-similarities-between-man-and-semantic-machines/#comments</comments>
		<pubDate>Tue, 25 Mar 2008 15:27:16 +0000</pubDate>
		<dc:creator>Jana Herwig</dc:creator>
				<category><![CDATA[Semantics & Philosophy]]></category>
		<category><![CDATA[Hrachovec]]></category>
		<category><![CDATA[Philosophy]]></category>

		<guid isPermaLink="false">http://blog.semantic-web.at/?p=67</guid>
		<description><![CDATA[An interview with Herbert Hrachovec, conducted by SWC&#8217;s own Marion FuglÃ©wicz-Bren, drew my attention to an article by Hrachovec in which he explored what he calls the &#8220;irreconcilable similarities&#8221; between man and semantic machines: Treating certain systems (computers, brains) as &#8230; <a href="http://blog.semantic-web.at/2008/03/25/like-a-jigsaw-puzzle-the-similarities-between-man-and-semantic-machines/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p><img src='http://blog.semantic-web.at/wp-content/uploads/2008/03/portrait_hhrachovec150x180.jpg' alt='Herbert Hrachovec' align=right />An interview with <a href="http://hrachovec.philo.at/" target="_blank">Herbert Hrachovec</a>, conducted by SWC&#8217;s own Marion FuglÃ©wicz-Bren, drew my attention to an article by Hrachovec in which he explored what he calls the &#8220;irreconcilable similarities&#8221; between man and semantic machines:</p>
<blockquote><p>Treating  certain  systems (computers,  brains)  as  mechanisms  working  towards  potentially  meaningful results by purely formal procedures has proved to be a fruitful research program. Think of a jigsaw puzzle. The shape of its  pieces contains no information about  the content of  the  representation that has to be retrieved. Finding out how the pieces fit together  is  a  syntactic  activity  that  can  be  performed  according  to formal principles. All those pieces just fit together in the end; but, remarkably enough, a picture of something has been assembled by this process. Evidently it  is possible, by appropriate construction, to integrate formal procedures and the more complex relationships between signs and their interpretation. A puzzle illustrates semantic machines  insofar  as  it  leads  to  representation  of  reality  in  the absence of any prior semantic information.</p></blockquote>
<p>When do you think this article whas published? <span id="more-67"></span>Not in 2001, not in 1993, but way back in 1986 when the semantic web was a mere twinkle in Tim Berners-Lee&#8217;s eyes. </p>
<p><em>Herbert Hrachovec is deputy head of the Dept. of Philosopy at Vienna University and a researcher with a special focus on aesthetics (in particular film aesthetics), logic, analytic philosophy and, most importantly for this context, the philosophy of new media; the Viennese Dept. of Philosophy comprises a separate research unit devoted to &#8216;<a href="http://foo.phl.univie.ac.at/fb03/index.php?option=com_frontpage&#038;Itemid=1" target="_blank">Analytic Philosophy and Digital Media Theory</a>&#8216;. You can <a href="http://sammelpunkt.philo.at:8080/1338/" target="_blank">download the full article here</a>, or  proceed to the SWC homepage to <a href="http://www.semantic-web.at/1.36.resource.228.herbert-hrachovec-semantik-in-gesellschaftliche-prozesse-eingebettet-ist-hier-gut-platzier.htm">read the interview with Hrachovec</a> (available in German only at this point &#8211; sorry for the inconvenience).<br />
</em></p>
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